vMUSEUM continued from page 25
largest sum ever paid by a museum for a collection of antique
instruments.
Patricia describes Woolfe’s article “a wonderful moment of
legitimization, recognizing the museum is of the caliber that it
is.
“The museum, for much of its history, had to dedicate
itself to collecting and curating,” she said. “We’re more in the
moment now of promoting it, and that’s partly why my job exists
– to make sure that this is not considered simply as a regional
museum. The irony is that we have so many international fans,
because they are in the music world, and they know about us.”
Social media, Patricia said, has allowed the National Music
Museum to spread its stories to the four corners of the world.
“It has its advantages,” she said. “But my job is to use all the
forms of media and communication possible, and not only have
people talking about us on a news show on television, but also
to tell their next door neighbor, and spread our story by word of
mouth.”
One of the latest doses of great publicity for the museum
came last spring, when it hosted a display of “The First Folio,”
a rare 1623 book of William Shakespeare plays. The book was
on display next to musical instruments from that era.
“We were really glad to have involvement from the state
when we did that,” Patricia said, noting that the South Dakota
Department of Tourism sent their popular Mount Rushmore
mascots to the museum.
Patricia is from the Midwest, having lived in Madison, Wisc.
for 20 years. She studied at the University of Wisconsin in
Madison, earning a graduate degree there.
“I am very much a Midwestern person, but I hadn’t been out
here to the center of the United States, to the Midwest plains
(before moving here), and I hadn’t lived in an area that wasn’t
as urban as Madison,” she said, describing the path that
eventually had her settling in Vermillion nearly three years ago.
“That was an interesting change for me, but it’s a university
town, and, of course, you feel that culture around you, and I’ve
been very pleased about that.”
Patricia said she likes to consider herself a citizen of the
world.
“I love to travel, and I love to go all over, from the most
metropolitan place, to the smallest, least known corner, so it’s
another big adventure for me to be in this part of the United
States.
“I’ve been fortunate to do a lot of travel internationally, and
that’s helped me be able to judge the merits of this museum, in
part, because of that. It’s another reason that I know how great
it is,” she said.
Being manager of communications for a place with the
diversity of the National Music Museum is a challenging role,
Patricia said.
“But that’s what I’m here for,” she said. “I’m very passionate
about getting people to know the term National Music Museum
in Vermillion, South Dakota. I also want people to know it’s an
internationally-classed music museum.”
Methods Patricia uses to spread the word about the
museum in the Vermillion area involve television spots on
South Dakota Public Broadcasting. She is also involved with the
I-29 Cultural Corridor Project, which has the goal of informing
the public of cultural venues located along Interstate 29.
vMUSEUM continued on page 28
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