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Chris Frick
Doug Dykstra
Photo by Tony Jones
The first time Patricia Bornhofen
visited the National Music Museum in
Vermillion, it was as a tourist, and she
initially couldn’t quite believe what she
was seeing.
“I’m a museum junkie, and at first I
actually thought it was not a museum
of real musical instruments. I thought
they were facsimiles, because I was so
astonished by the level of the collection,”
she said. “I actually went back to the
front desk and asked if that was the
case; I asked if the instruments housed
here were replicas.
Upon discovering the National Music
Museum did indeed display instruments
from the Renaissance, crafted by
Stradivari and Amati, Patricia said the
first thought that entered her mind was,
“this (the museum) has got to be put on
the map more, figuratively, and literally.
So when the opportunity, by coincidence,
of my coming to the area and the
museum having a need for a dedicated
publicist and communications person
happened, I went for it, of course.
Patricia has been the National Music
Museum’s manager of communications
for nearly three years.
“Looking at the museum, I frequently
have to say to myself, ‘how is this place
here in the middle of the United States,
and away from some of the more likely
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